The intriguing mystery of the instrumental passages anticipates the charming sound of the White Desert Sun guitar solo, which acts as an introduction to the musical development of the BORT - Crossing The Desert album in the sound of The Beerfields Of Bridgeview composition, persistently and stubbornly calling the vocals to the entry, however, the vocals pacifies the musical pressure with unhurried reflections, weaving an artistic musical lace of several voices in the vocal part.
Rhythmically and assertively, the Worldbane musical march marches along the chosen path with an assertive introduction, retreating before the viscous thoughts of the vocal lyrics of the verse, in order to then return to the rhythmic step in the chorus and the subsequent musical fragment, dissipating this musical drive before the mysterious guitar solo of the introduction Hello, Mr. Thompson song that sets the direction and the path of development of its main motive, which then crowns the vocal lyrics with its story, somewhat restraining musical activity and pressure and calling the guitar riffs to sensual melody, but then again returning to the drive in the bridge, which precedes the melodic ascension of the chorus.
The acoustic chime of the guitar strings is complemented by emotional vocals reflections, then intertwined in a bewitching unity of music and vocals in the bewitching artistic lace of the Sacraments & Bayonets ballad, combining melodic charm and bewitching motives, continuing with the assertive and confident sound of the Lady Kyteler song, varying the tempo to suit the vocal phrases and bringing to the sound of the album notes of blues and atmospheric shades of husky vocals.
After a brief introduction, the vocal part moves to the forefront of the musical image of the Well Respected Man composition, captivating the musical passages behind its story, continuing the musical sound of the album with guitar supremacy in the sound of the The Flood song, complemented by charismatic vocals appeals, anticipating the viscous sound of the album's longest Soul Eater composition, significantly and confidently setting its last point.