The Pillars of the Earth (intro) sage's reflections ends with a drum roll with echoes of distant battle marches, anticipating the further development of the Holy Cross (BRA) - Vaterland album in the inspiring procession of the King of Eternity composition, combining bright guitar riffs with assertive vocals reflections, demonstrating readiness for the coming battles, combined with bright guitar solos. True to its name, theHandel Sonata No.3 in F for Violin (Largo) brings echoes of medieval fairy tales into the sound of the album, entering the instrumental introduction to the En Vray Amoure (Henry VIII) composition, beginning with the herald's announcement and continuing with bewitching harals with rhythmic musical support in the background, continuing with the enchanting Medieval Heart minstrel ballad, continuing the charm of echoes of medieval tales and romance many musical echoes.
Returning again to classical music, the Van Eyck's Bravade composition combines it with the modern sound of electronic motifs in an instrumental search for the unity of eras, continuing with the symphonic grandeur of the introduction of the Vaterland album's title track, then complemented by the diversity of the vocal part, combining and uniting several voices in its sound with enchanting musical melodies.
The True Faith Not Religion symphonic organ suite is complemented by an inspirational vocal plea, anticipating the musical riot of the album's Maamme laulu final composition, but the crowd retreats before the church organ solo continues in a charming symphony with inspirational vocals phrases, completing the composition and the album with church chants.