Better not bring me to a similar state

Fascinating majestic acoustics dims the mood of the Fafner's Gold intro, then the stern drive intertwines with the melodies, setting, however, the original style of the Amon Amarth - Berserker album.
A dance in the process of preparation for an incredible battle delays in sounding , then Mjolner, Hammer of Thor implies the development of unexpected moments in the forge of upcoming events.
The wall of shields is approaching, crushing the enemy in its path and Shield Wall indicates only one sure way to continue such domination. Valkyria brings the vocals to the forefront of musical narration, while retaining the stern charm of the main motive.
Sternly and energetically lifts the chalice of the Raven's Flight main motive, drinking it fully in the chorus. Fascinating Ironside intro is transformed into a furious flow of drive, then the vocals combine these contrasts together unite, especially in the chorus. The title track The Berserker at Stamford Bridge partly continues the motives of the previous one, however, it rolls out a canvas of the solemn hymn, along which it strides meaningfully and severely. Fascinating and melodious When Once Again We Can Set Our Sails continues the story of the album.
The swiftness and unrestrainedness seize musical covers, flying away in the rampant race of the Skoll and Hati song. he chorus brings a fine melody, typical of the album. Wings of Eagles continues the same drive and melody laid by the previous composition, weaving a fascinating melodic lace in the chorus.
The completion of the album always poses the question - just the ending or something was hidden. In this case, you are presented with a fascinating creation of the Into the Dark composition, starting with an orchestral symphony and then intertwining melody and drive, so that the album is worth listening to many times at least because of this song.