Ancient spirits have to be explored

Mysterious spirits unclearly tells their stories, including Aum - Om Ah Hum Vajra Guru Padma Siddhi Hum !
Rage and anger splash their angry emotions powerfully and without hesitation, from the first notes of Moksha ,smashing everything around and smash up to the pieces. But then comes the viscosity, thoughtful reflections bogged down in thick fog, enveloping overweight pensive motives. But rejecting the shackles of thoughtful - indignation and wrath, completing their destructive jerks - but the thoughtfulness and meditation complete the composition, pointing towards the next one, Patisandhi. Starting by viscous, depressing rolling motifs despises speed - but embodies its diverse changes of rhythm and pace of the density and significance.
Dattatreya keeps rolling as sluggish melancholy, darkness creeps with the invisible mist and envelops all with its indiscernible haze. However, envelopes all by intangible fetters, rage and anger spits all accumulated grievances.
Folklore chants starts grim Dukkha tale, that turns into the dense and tough slow paced narration of ethereal darkness, slowly and carefully wrapping of its impenetrable fog.
The ancient, forgotten melodies envelops dusky predawn haze of Brahmastra - then soaring sparkling violent jerks, intersecting with flickering breaks in their harsh and sweeping sound.
Buzzing swarm of ghostly spirits, circling around in the seat of mythical fictions starts Hemvati, launches into a fast rabid breakthrough into unexplored lands. Then tale calms down to listen to the thoughtful, intense speeches until the next vortex of buzzing swarm of ghostly fairies.
Starting in the tragic, slow and viscous manner Vipashyana closes the album with prepared rapid rush, splashing accumulated and held in check for the time experiences ... and artwork ends with remote spirits chants.