The inspirational musical component of the keyboard solo raises the vocal phrases of the singing lady to the top of the Unlovely (Feat. Darlingside) musical image, shading the ending of her phrases with singing chorales. Bringing the playful whirlwinds of southern music, bringing the spicy influences of dry winds from the lifeless prairies Tenebrist continues the Ballroom Thieves - Unlovely album with the charm of a cowboy festival. In the vocal part of verses, male vocals dominate, sometimes departing from the pressure of female vocals.
The In The Dark romantic ballad envelops in sensations of sensual charm. Homme Run continues the ballad sound, introducing the echoes of mystical mysteries and folklore stylistics, returning to the forefront the sound of the female vocals of a bewitching fairy. Leaving female vocals in the dominant position of the musical composition, Don't Wanna Dance weaves lace from several styles, the first of which is the lounge.
The gloomy veils of mystical musical sacraments envelop vocals reflections of the Begin Again song with mysterious veils, pulsating with rhythmic bursts of drive in instrumental bridges. Bringing male vocal recitative to the forefront of sound Vanity Trip emphasizes his phrases with guitar notes. Roll The Bones continues to emphasize the importance of male vocals, in verses hesitating and raising an emotional whirlwind in choruses.
Bringing country-style echoes to the album, the singing lady gives Pendulum vocal variations the atmosphere of her native places. The vocal whirls of the Love Is Easy romantic ballad entwine male vocals, bringing breath of love experiences. For Hitchens closes the album with soft and gentle romanticism, recalling the impressions experienced.