Electronic accession impulses anticipates the Corruptor/Infestor rolling drive, combined with vocals fury. Music accelerates in rapid frenzy, then inferior to the primacy in the Disturbing Roars at Twilight musical image of vocals rage, combining and alternating screaming and growling. Chorus emphasizes the title again and again, repeating it in the final, anticipating the inequal musical thriller of the title composition of the The Day Of The Beast - Indisputably Carnivorous album, intertwining vocals and music in the vortex of uncpendless musical rage.
The narration of the vocal party stands at the forefront of the musical canvas of the Enter the Witch House song, the fascinating musical passage to follow the path indicated for them. The disputes and speeches of the wiser sets the Annihilation Prayer (Shallow Be Thy Graves) intro's sound, then music and vocals perform in the rapidness of fierce unity. Guitar solo sets the mood of the Venomous Procession solemn anthem intro, then continuing with the average-month march of angry vocal appeals.
The gloomy mysticism of guitar melodies of the On Top Many Layers of Horror intro anticoins the compositional palette built on the vocals sprouting of screaming and growling. The Black Forms Materialize brings vocals impatience to the forefront, complementing vocals reflections of the screaming by the final phrases of the growling. The pulsating heartbeat entry creates a certain musical mood, then the vocals take the brazers of control by composite elements, uniting with a musical nature in the Judas in Hell Be Proud chorus. Progressive musical variations anticipate epic echoes of folk elements of the On Wyverns Wings to Oblivion final song of the album.