Viscous, gloomy and painful, the Son Of The Nameless One composition begins the musical path of the Dead Talks - Veneration Of The Dead album in a twilight atmosphere of painful rhythmic tread, enveloping it in a ghostly haze and crowning with sparkles of saddened guitar solos. The Human Plague song assertively and persistently puts forward the leitmotif with the pressure of a guitar solo intro, then entwined with emotional reflections of vocal phrases and twilight whirlwinds of guitar solos. The guitar solo of the instrumental section brings flashes of artistic melodic charm, anticipating the vocal outrage of the final fragment with a twilight mystery in the sound.
The sound of starting engines foreshadows the spinning of the flywheel of a furious drive, restraining the pace in favor of the power and zealous pressure of the melodic twilight and vocal narration of the 508 composition, marching persistently in a rhythmic and assertive pace, continuing the persistent pace of The End Of The Tunnel dark musical fairy tale, introducing shadowy shades and echoes of the oriental motives in guitars solos and guitar riffs of the main motive.
The impatient pressure of guitar riffs builds up an atmosphere of anxious expectations, restrained by the cautious reflections of the Pedophile God vocals story, entwined with whirlwinds of guitar riffs in the mysterious twilight, retreating before the rhythmic pressure of the Death's Charioteer composition, in the sound of the vocal part of which disobedience and rebellion are manifested.
Vague vocal foreshadowing ends with the intriguing mystery of the Skinless introduction, developing in the sound of a dark sermon, pushing vocal lyrics to the foreground of the musical image and elevating to the top of the sound spores of vocals phrases and guitar solos, anticipating the twilight spiritual mystery of the artistic interweaving of intriguing and meaningful muses great unifications of styles and genres in the sound of this album's Trigger/Religion final composition.