Going on a pilgrimage to Tibet

The chorale of children's voices and the intriguing mystery of oriental motifs, as the name suggests, embodies the essence of the Tibet prayers, then enveloping the musical essence with the background support of these chorales, which is then broken through by a whirlwind of restrained drive and vocal fury, then returning again to the previous sound, continuing the embodiment of oriental motifs with a chime in the sound of the Space Of Variations - Mind Darknet album folk instruments, which is then complemented by the emotional vocal recitative of the Moonlight song, then again and again artistically transforming the vocal part. The whirlwind of bright sparkling drive of the introduction is then embodied in the sound of the leitmotif of the Snakepit composition, crowned with dreamy vocals inspiration.
Dreamy vocal reflections and melodic passages with notes of saddened romance are woven into the musical lace of the Over Again musical fairy tale, entwining vocal reflections with a mysterious lace. Pushing waves of charged drive beat the rhythmic gait, paving the way for the fierce Fuck This Place Up vocals march. Mysterious vocal reflections are brought to the forefront of the musical image of the Rain in Forest brooding musical ballad.
Assiduously driving in the sound of the introduction, the Perfect Enemy stern march hardens with vocal anger in its assertive rhythmic gait, bringing the charm of sparkling musical artistry to the twilight sound of the Sometimes solemn anthem, enveloping the vocals phrases with bright reflections of cosmic currents and stellar brilliance. The assertive stride of the Suicide Rave rhythmic march brings the vocals narrative to the forefront of the musical image, progressively and artistically varying the rhythm and tempo in its procession, developing the complication of musical style in the Dance on My Bones final composition of the album.