The title track begins the Colosseum (GBR) - Tomorrow's Blues (Remastered) album with an artistic unity of musical variations in a sparkling charming lace, complemented by a captivating emotional vocal story. The melodies of brass instruments create a charming atmosphere for the leisurely Come Right Back musical march, giving the sound shades of Broadway musicals. The In the Heat of the Night enchanting ballad begins with a mesmerizing saxophone solo, elevating the artistic echoes of dreams and experiences, then captivating with the charm of a dreamy night combined with emotional vocals ascension. The musical enchantment is further enhanced by enchanting guitar solos and a background keyboards symphony, which at times comes to the fore in an artistic keyboards suite.
The musical variations of the intro are intertwined in the further artistic charm of the musical canvas, spreading out for the leisurely procession of the Hard Times Rising vocals story, shrouded in enchanting musical covers and complemented by background vocals support, then the guitar solo of the intro appears as the fundamental element of the leitmotif of the Arena in the Sun instrumental composition, progressively complemented by artistic keyboard variations, combining in a bewitching the musical charm of a joint sound, complementing the sound of the Thief in the Night song after the introduction with the charm of vocal inspiration.
Pensive musical charm weaves a bewitching lace of musical charm, enveloping vocal reflections with notes of doubt and slight sadness in the sparkling veils of the musical atmosphere of the Take the Dark Times with the Sun romantic ballad, dissipating its thoughts under the pressure of the unyielding and persistent guitar solo of the introduction of the The Net Man instrumental composition, introducing a whirlwind of experiences and intriguing temptations that precede the assertive the vocals narrative of the Leisure Complex Blues song, persistently and persistently marching along the chosen musical path, accompanying the completion of vocals phrases with saxophone melodies, then bringing the vocal part to the foreground of the No Demons lyrical confession, supplemented at the end of the album with a charming keyboards symphony and background chorales.