Crimson heart is so bright now

The intro keyboard suite concludes with somber demonic screaming vocals, followed by the tender dreams of the singing lady, weaving the musical lace of the Dying Moment song from the union of musical contrasts with symphonic musical charms, opening the musical gates of the Flowers In Dark - Celestial Vengeance album, that is continuing its musical path with the unhurried pace of the Beneath The Tides saddened romantic ballad, building its musical palace from the alternation of vocal contrasts.
The keyboard suite of the introduction weaves the musical canvas of the main motif, along which the vocal part then marches, bringing to the fore the musical image of the Crimson Onslaught composition, behind which the fierce rapid drive and shades of the musical thriller bring new shades to the sound of the album, expanding its stylistic framework with the Why? song, which retains a romantic atmosphere returning to the dreamy tenderness of the singing lady.
The mysterious charm of symphonic slowness slowly weaves the enchanting lace of the Wooden Embrace musical fairy tale, carefully and painstakingly preparing for the entry of vocals into these musical spaces, anticipating the intriguing development of musical variations of the Celestial Vengeance album's title track, bringing the guitar solo to the forefront of the musical image, sometimes twisting it with the vocals story in a single musical stream.
The unhurried musical journey of the Into Sand song is developed and complemented by the vocal part, alternating and combining the gentle romantic melodies of female vocals and demonic screaming male vocals. The unhurried musical journey of the Monolith Of Doubt song is developed and complemented by the vocal part, alternating and combining the gentle romantic melodies of female vocals and demonic screaming male vocals. Musical variations roll rolling waves of a mid-tempo march, then crowning the crests of these waves with vocal phrases, creating a musical pattern of the Over The Shore composition. Thunderstorm, rain, the sound of bad weather create the introduction of the 9th final composition of the album, combining pure male and female vocals in a duet, again expanding the stylistic framework of the album with the final touches.