Scars and wounds caused by evil

The muffled pensive and mysterious reflection of the title track opens the musical gates of the Annalynn - A Conversation With Evil album, then exploding with the Closer To The Edge mid-tempo music thriller, which combines mystical musical spouts with a diverse vocal part. The entry of the Scars And Wounds composition complements the musical framework with romantic thoughtfulness, then marching ballads and medium-tempo music sounding.
The following fragment of the album is marked by the transformation of the sound due to the participation of invited musicians - the beginning of the Damage Control (Feat. Masato) song combines a fierce drive with a vocal speaking verses with a romantic ascension of chorus, then the world famous vocalist brings the rage of his growing vocals into the sound of the Holy Gravity (Feat. Cj Mcmahon) composition.
The effect of electronic music expands the stylistic framework of the album, bringing futuristic echoes to the musical image of the Falsifier ibstrumental track, which serves as a direction and preparation for the sound of the Leveling God composition, in which the drive and the rage of music and vocals vitates between the epochs and times.
And again, the sound of the Home (Feat. Urboytj) song transforms the stylistic essential with the participation of the invited artist, combining romantic musical appeals with an impatient vocal recaptive, anticipating the beginning of the final section of the album. The Disconnected track returns to stylistic experiments, combining vocal variability with rolling waves of a harsh march. The An Evil Aftermath final composition of the album begins with gentle looking of female vocals, partly dissipating the gloomy expectations.