Tales from outside sound in an unknown language

The twilight atmosphere of intriguing mystery, complemented by the howl of the wind and the ringing of a bell, begins the duology that begins the Forever Dead - Tales From Beyond album with the The Horror in the Burial Ground (Pt.1) instrumental introduction, ending it with the artistic charm of a guitar solo and continuing with the unyielding and furious pressure of the The Horror in the Burial Ground (Pt.2) song, complementing the musical thriller with vocals anger, maintaining the twilight atmosphere of musical mystery. Vocals rage and musical anger are intertwined in a single Haunted Remains musical stream, confidently moving along the chosen musical path, pushing the vocal part to the foreground of the Four o'clock musical image, driving the harsh gait of a rhythmic march with vocals phrases.
Dancing with a rhythmic dance, the Back from the Crypt composition crowns it with a guitar solo, preparing the introduction of the vocal part with powerful guitar riffs, marching along with the vocal phrases. The guitar solo intro weaves the musical canvas of the Dark Soul leitmotif, which is then followed by the rhythmic march of the vocal part.
The twilight mystery of the Lex Mortis introduction of the next fragment of the album envelops in invisible ghostly shades, continuing with the harsh sound of The Curse from R'hyleb musical thriller, combining musical power and vocal anger in a single joint flow, retreating before the Prophetic Possession battle march, confidently and persistently driving its steps into the chosen musical path, varying shades and stylistics of the vocal part, sometimes alternating, sometimes combining screaming and growling vocals in a duet.
The gloomy atmosphere complemented by the mystical sound of the guitar solo creates an intriguing atmosphere of the introduction of the GORGHAR by the Greats Old Ones dark tale, accelerating the musical tempo with the introduction of the vocal part in a rhythmic chase, but continues with the harsh rhythmic hammering in of the steps of the Beast of War battle march, fully embodying and justifying its name, thickening and making it darker and the mysterious sound of the Till All the Seas song while maintaining the harsh rhythm of the musical procession, ending with the mysterious ritual chants of an unclear language of the Ya isa ya ri ega bi esha xi yilqa final track of the album.